Archive for April, 2009

Letting Other People Connect the Dots

Posted by on Apr 27 2009 | Singing Lessons, Songtaneous

Premise: When you do your work authentically (i.e. you’re doing the things you feel called to do), even if it’s in multiple and what feel (to you) like disconnected directions, your actions and projects acquire a cohesiveness to external viewers. They see and make connections you never anticipated.

(Wow, that was kinda highfalutin’? How about an example?)

Some of you remember how much I struggled to redesign my web site. *smile* Finally, I realized that I was challenged by how to present myself and the numerous and varied things I wanted to do (perform, teach, Songtaneous, blog, freelance, earn a living, etc.) without appearing undisciplined, unfocused or unbelievable. (She doesn’t really do all of that!).

I finally worked out what I wanted to say on my web site with the help of friends and family and you, faithful readers. (Posting here helps me organize my thoughts.) I drilled down to the reason I want to sing — I want to change the world. (Talk about highfalutin’ *smile*, but I do.)

Once I stated and embraced that, I had a litmus test or lens for my work and projects. When I have an idea, I ask does it support this goal? Does it feel right? (Not “Will people understand it?,” “Should I talk about this on my web site?,” “Will this confuse people?”)

It helped me talk about singing and teaching and why they’re important to me. It helped me incorporate my blog into my web site. It helped me write a page about my publishing freelance skills that doesn’t feel smarmy and inappropriate. It gave me permission to talk about how I want to do my work and music rather than trying to tailor the work and music I do to fit a certain group or audience.

Fast forward a couple months and now I’m struggling to create my enewsletter. (Unfortunately, even after you pick an authentic direction, you’re not done with Doubt, Procrastination or Stuck.) But I talked about with friends and family and whined posted about it here and …

Last week, I mailed my first enewsletter about ways you can work or study with me this summer. (Yes, I finally finished it. Take that, Stuck!) And people responded (thanks, people!). They emailed me questions and even passed on my email to others which is how I met my newest friend and fan, B.

B called me after someone forwarded her my newsletter. She’s working on her own start-up, entrepreneurial, self-employed, service-oriented adventure and she liked my model. (I have a model! How cool is that?!?) She complimented me on my web site and blog and praised how all of the content fit together and supported my vision statement – artistry through improvisation.

In fact, she explained to me how presenting my numerous and disparate work areas (vocalist, instructor, web designer, publishing and marketing freelancer) was improvisational. She saw my presentations on my site from the navigation menus, to the music samples to the photo slideshow as improvisational solutions. (Whaddya know?)

The moral of the story? You don’t have to do all the work. You have to do your work. Your work is to drill down to the essence of who you are, what you want to do and why you want to do it. If you’re brave and authentic when you communicate it, your audience (readers, fans, right people, etc.) will put the pieces together in ways that fit for them. (Some of which, you could have never even imagined. *smile*)

Don’t forget if you’re in the Twin Cities area – we’re celebrating 3 years of Songtaneous this Saturday.

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Spam-provised Text

Posted by on Apr 20 2009 | Games, Exercises & Resources, Songtaneous

To spam or not to spam?

If you’re a WordPress blogger, you likely use Akismet. My blog gets a lot of spam and Akismet kindly gathers it all in one place where I can review it to make sure real comments haven’t been tagged as spam. 

So, I scan a lot of spam and I’ve noticed that comment spam seems different from email spam.

For one thing, it’s a lot longer. And it’s bursting with links. And it contains some (okay, a lot of) inappropriate language. But other parts of these messages remind me of something else … improvised text. 

We singers have a huge bonus (or albatross, depending on your perspective *wink*) in our improv toolbox — language. That’s right, we get to use words. This excites some of us and terrifies others. From where, after all, are these words supposed to come? (Read on, dear Reader, read on.)

One of the things I practice in improvising is working with language. At Songtaneous sessions, we play word games with the goal of detaching language from a sequential or consequential, literal context to explore its more poetic, playful and percussive qualities. (I find I do language work best with other people. It helps me circumvent all the rules I make up for myself.)

Long story short(ish), I realized in scanning through the many spam comments I receive each day, that there’s a kind of computerized poetry here.

As an exercise, I took one of today’s spam comments and imagined I was going to use it to create an improvised piece.

My guidelines were pretty simple; I could leave out words and use phrasing (punctuate), but I couldn’t reorder the words. And I didn’t spend a lot of time reviewing the spam first. I tried to let my eye jump to a phrase and flow (albeit totally tangentially in some cases) to the next phrase that grabbed me. Below are my creations.

Spam-provised Text
[created by deleting words and adding punctuation to today’s spam comment]

i

Nice people nest again catching the drug

them liked will marry

her? spotted horses, him? amoxycillin for trees 

and because only them fixes the hostage

agreed direction

ii

the grapefruit stallion had false lead

few trees came with human family and better progress

fifty-year-old started crying sloppily

intended back together

another opening back inside

still betrothed had suffered the planet 

maybe this straight back would reverse our sufficient experience

“wait here”

the jaws could make him hush

iii

physically far back

long-term memory loss

her straw our pain fading out

seldom good ordinary talent

unsettling way

delightful place

would play over quite pretty

iv

not merely the simplest brass girl

illie works with that awful burden

concerned about more goblins seen outside

they, the mists

wing onto the smoky sigh

land when close

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Happy Birthday, Sister B!

Posted by on Apr 18 2009 | Events, Songtaneous

... and now

... and now

The Birthday Girls

The Birthday Girls - Then ...

We were so much older then, we’re younger than that now …

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